1. The Bishop’s Wife, by Mette Ivie Harrison. Linda lives in Utah County, is married to the bishop (lay leader) of her local Mormon congregation, and through him becomes privy to a disturbing situation in the ward that might even include a murder. Goodreads describes it as a “both a fascinating look at the lives of modern Mormons as well as a grim and cunningly twisted mystery.” It was an enjoyable read, though more psychological thriller than true mystery, I think. I’m planning to read the second installment when it comes out, but I do think you need major familiarity with Mormonism in order to get the most out of the book. In some ways, though, it’s just nice to read something that’s based on a true crime story, involves Mormons, yet doesn’t rely on 19th century tropes. You’d be surprised at how rare that is.
2. The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II, by Denise Kiernan. This book deals with the women who worked at Oak Ridge, Tennessee, a ‘secret city’ associated with the Manhatten Project. None of these women knew what they were working on, only that it was vital to the war effort, and Kiernan describes both the camaraderie that developed in this put-up town and the secrets that enveloped every worker there. Kiernan describes them as heroes, and perhaps in deference to her subjects’ feelings, doesn’t spend much time on the complicated legacy of the Manhatten Project. But all in all it’s not a bad book, even if the first half is much stronger than the second.
3. Bertie’s Guide to Life and Mothers, by Alexander McCall Smith. Another delightful installment in McCall Smith’s serial 44 Scotland Street series–and this time, Bertie gets some freedom from his overbearing, helicopter, tiger mom.
4. Mr. Churchill’s Secretary,
5. Princess Elizabeth’s Spy, and
6. His Majesty’s Hope, by Susan Elia MacNeal. This is the Maggie Hope series, featuring a brilliant British-American mathematician that is enlisted to spy for the British during WWII. I don’t think they’re quite up to par with the Bess Crawford or Maisie Dobbs series (both dealing more with WWI) but if you like historical cozy mysteries with a literary bent, they’re worth picking up.
7. Children of the Jacaranda Tree, by Sahar Delijani. This was a book club read, and it provoked an interesting discussion. It deals with the Iranian Revolution, as seen through a variety of children-turned-adults that are left to deal with the aftermath. It’s a poignant book, but also very scattered. Definitely one to read with attention, and if your copy includes a family tree, bookmark it for easy access.
8. The Paper Magician, by Charlie N. Holmberg. Ceony is a magician’s apprentice, who is learning her trade (paper magic, or folding, which is much cooler than it sounds), but also forced to battle supreme evil. The books (there are three of them so far) are set in a parallel world that’s meant to mimic early 20th century England, I think. Though Holmberg creates quite a satisfying magical universe, ultimately, these books veered too much towards romance for me to be able to recommend them whole-heartedly. But I did read all three of them, so take that for what it’s worth.
9. Lizzy and Jane, by Katherine Reay. This isn’t a Pride and Prejudice parody/homage, at least not a straight-up one. Lizzy is a head chef in her own restaurant, yet struggling to find her purpose. Jane is a marketing specialist and battling cancer. The two haven’t really been true sisters since their mother died, and when Lizzy comes to visit, tensions flare up all over again. I quibbled with the elaborate foreshadowing in the book, since that meant I knew exactly how the story would play out, but I loved Reay’s food descriptions and enjoyed the book anyway. Perfect plane reading.
10. Sidney Chambers and the Problem of Evil, by James Runcie. I’ve talked about these books before: this one deals with serial killers, art theft, and baby kidnapping.
11. A Song for Issy Bradley, by Carys Bray. This is another Mormon novel, set in England, and dealing with a perfect Mormon family that isn’t quite as perfect after all. Well written, well executed, with a sensitivity that helped carry a sad plot without being overwhelming or too weepy. Recommended.